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For correct placement of chords or fret positions in tabulature, please use a mono-spaced (e.g. Courier) font and only spaces. Do not use the tab key, because that will probably mess things up.
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Rudy Brand: Alvarez Model: DY88BK Advanced Acoustic Electric Body Style: Closed Chamber Back & Sides: Mahogany Top: Spruce Finish: Black Body Binding: Ivory/Abalone Fretboard Material: Ebony Bridge: Hexaphonic Piezo Ebony Electronics: System 500 |
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Judy Brand: Alvarez Model: DY88PW Advanced Acoustic Electric Body Style: Closed Chamber Back & Sides: Mahogany Top: Spruce Finish: Black Body Binding: Ivory/Abalone Fretboard Material: Ebony Bridge: Hexaphonic Piezo Ebony Electronics: System 500 |
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Carmen? Brand: Takamine Model: TC28C Series: Jasmine Classics Acoustic/electric cutaway classic with a full 4" body, 25-1/2" scale and TK-4 preamp and in-bridge pickup. |
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Nora? Brand: Alvarez Model: FD80BL Fusion Deluxe Body Style: Cutaway Thin Body Dreadnought Back & Sides: Maple Top: Flamed Maple Finish: Blue Soundhold Rosette: Abalone S Body Binding: White/Black Multi Fretboard Material: Rosewood Fretboard Inlay: 12th Fret Diagonal Bridge: Rosewood Tuning Machines: Chrome Die Cast Electronics: Standard System 500 |
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Shruti Box |
His right hand holds a Dunlop .60 mm nylon pick, which attacks Martin
light-gauge strings. His trick for not breaking strings is to tear
photographs into small bits and place them between the saddle and each
pin. This method doesn't deaden the strings, he claims, and most
important, it works - even with his aggressive strumming.
On stage, his effects include a Boss chorus pedal and graphic EQ. He
plugs directly into the PA, where he adds some reverb.
(source: interview with Beth C. Fishkind)
This information is probably not entirely correct. One of Luka's roadies
says that they always rent a PA at the local venues. There seems to always
be a PA on stage with Luka, hence this latter piece of information seems
correct. (source: Wouter Bruijning)
Luka uses a blue Alvarez, named Nora for studio recordings.
(source: Wouter Bruijning)
I found it very interesting that he doesn't play directly in the P.A., but he used a Trace Elliot bass amplifier with a 15'' speaker. When he hit the guitar, you could hear a sound like a bass drum coming from the speakers. Incredible ! He still had the "Super Chorus" and the graphic EQ from Boss, but he also uses a Digital Delay for Gabriel, along with the volume pedal. (source: Stefan Schwabe).
All song transciptions found below are the author's own work and
represents their interpretation of the song. You may only use this file
for private study, scholarship, or research.
These pages are maintained by Ronald Gelten
(gelten@spamblock.wish.net)
Comments and suggestions are welcome.